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A Woman on the verge of abundance: Antara Lahiri

Vinta Nanda connects with the film editor Antara Lahiri, and brings to you this very interesting conversation that she had wit...

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Sculpting in Time

Sharad Raj revisits Tarkovsky’s film Mirror (Russian), released in 1975 and he expresses, in this piece, its art, aesthe...

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The Varanasi mystique

A photo-essay by Ashis Ghatak, vivifying how the winter sets in on the holy city of Varanasi, on the banks of the River Ganges...

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M K RAINA: A salutation and exploration

Again and this one is vast - Aparajita Krishna walks you through the life of social activist and actor MK Raina. So far, so, s...

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Framed: Film Editor Ballu Saluja

Aparajita Krishna, writer and filmmaker, profiles the much accomplished editor Ballu Saluja in...

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Indian Media: Delete, Copy, Paste & Repeat

Amit Khanna writes that a simple definition of news is organized information about a changed situation, events, happenings and...

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Between Fake News and Truth…

In these extraordinary times, like everywhere else in the world, fake news and misinformation are spreading like wildfire around Covid-19 and r...

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The Revolutionary

Khalid Mohamed looks back at the film legacy of the Bengal auteur, on the day of Mrinal Sen’s 97th birth anniversary today.

There’s a r...

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The Revolutionary Heart

There’s a rare film which arouses you like a lover’s first kiss. And it’s the rare film-maker who can survive the test of tim...

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Madeline’s Madeline is a Coming of Age Indie Film

High Budget movies like Iron Man 3, Black Panther, World War Z, Man ...

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